She is set to perform at Wednesday night’s BRIT Awards.
Yet Katy Perry was keen to see much more than the stage during her trip to the UK as she headed to London Fashion Week on Monday, where she hit the Christopher Kane show while looking incredibly chic.
The Firework star arrived at the bash in a kooky patchwork coat before whipping off the garment to show a stunning Bardot top and pleated skirt combo.
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Katy, who was joined by author Derek Blasberg, looked stunning as she burst into the capital in all her kooky glory while slotting right into the middle of the display of the Autumn/Winter 2017 collections.
Rocking a super edgy look upon arrival, the songstress pulled on a quirky coat comprising of a stiff material adorned with a bevy of patchwork detailing.
The coat was extremely fitting as it appeared to borrow from a fashion designer’s look book, with prints of sketches, swatches and patterns.
She peeled on a pair of stylish sunglᴀsses upon arrival which shielded her flawlessly made up face, complete with dewy foundation and heavy eyeliner.
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When she swept into the bash she pulled off her coat to reveal her super stylish ensemble underneath, as she accentuated all her best bits.
Katy nailed the combination of high fashion with Sєxy as she slipped into a lurex Bardot top, which flaunted her slender shoulders.
She tucked the garment into a brown silk skirt with fine pleats, while adding in a pair of super funky silver ankle boots.
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Injecting a touch of Nineties cool was her thick black choker adorned with a gold pendant at the centre although she shunned any further accessories.
She was joined at the bash by Daisy Lowe who looked nothing short of sensational as she went braless beneath a plunging two-piece.
At the Grammy’s earlier this month Katy debuted her new bleach blonde locks, which she has had sheared into a choppy bob, yet raised eyebrows when she referenced Britney Spears’ head shaving incident in 2007, in the midst of a very public breakdown.
Katy, who wore an attention-grabbing Tom Ford dress, had been explaining the long gap since her last album, 2014’s Prism.